Originally published as Chapter 7, Negotiating Stock Photography Fees n the book titled The Photographer’s Guide to Negotiating, Allworth Press, NY ISBN 1-58115414-3
Applying the Trade-Off
There are two potential values that can replace cash in a stock sale.
One is a credit line that could lead to more sales. By that I mean a
credit line that lets people find you if they want to see your work or
inquire about your photographic inventory. A credit line that reads
“Photo: Pat Photographer” is not what I mean. You want a credit line
that reads “Photo: www.patphotographer.com.” The latter tells viewer
where to find you. That can lead to more sales than simply getting your
name in print. The other value is copies of the piece in which your
photograph will appear, if it is to appear prominently, and especially
if it is credited to you (even with just your name and not your Web
site). Good products containing your photography make good promotional
tools for stock photographers just as they do for assignment
photographers. In the ideal scenario you get both the locator credit
line and copies of the brochure. This tactic has the advantage of
allowing you to present options, which is a tactic in itself.
Nibbling for More
You will recall that nibbling is going for some added benefit after the
deal is done. Here is an example of nibbling with a trade-off.
You have just made a deal with a buyer for the use of a stock image for
one thirteen-week advertising cycle. You think that it is likely that
the buyer will want an additional cycles of use, but he is not asking
for it now because he is unsure and does not want to commit to the
additional fee until the company assesses the success of the first
cycle. You know that because you tried to sell him extended use during
the sales process (you did, didn’t you?), and he refused it because of
the risk.
Once you have agreed on the basic deal with one cycle or use, you get a
bright idea about saving him money—if he decides on the second cycle.
You also use the power of competition to motivate him. Here’s a sample
pitch: “Listen, I just had a thought that could not only save you some
money, but it also has an element of insurance for you. If you want
that second cycle and come back to me later, I am going to charge you
the same amount we just agreed upon. Unlike some folks, I won’t inflate
the price, because we agreed on it. That has to make them think.) The
only thing that could prevent me from relicensing to you is if someone
comes to me and asks for, and is willing to pay for, exclusive rights
to use the image. I can’t refuse a sure sale for a maybe. I have a
proposition for you. If you pay an additional 20 percent, I will
guarantee you that I will not license any rights that will interfere
with your use of the image for a second cycle, and for an additional 20
percent I will guarantee to license the second cycle with a 30-percent
discount off the price we just agreed to. You will get the insurance
you need to have the image available, and the 40 percent more you pay
now will be partially offset by the 30 percent discount for the next
cycle. So your effective cost will only be 10 percent higher for the
guarantee and usage. Do you want both options?”
So you can see how a good negotiator is always thinking. In the above
scenario, you have chosen to try to put more money in your pocket now
rather than wait to see if you can earn it later. It is up to you
whether a dollar in the pocket right now is worth more than a greater
amount that might come later. Personally, in the situation I just
described, I’d take the money when I could get it.
Stay Focused
When selling stock, you have to determine what factors could influence
the value of your image, and whether any exceptions make those factors
a price booster or buster. Remember you are the buyer’s risk. Like
insurance, “ensurance” has a premium attached to it. You get that
premium by reinforcing in the buyer’s mind why he wants your image.
Only then are you ready to spar over the price level. When you do, you
can employ the tactics that fit and also use those that might bring
benefit after you close the deal. Stay focused on one thing: Stock
licensing means fee negotiation alone. Keep your eye on the price and
also on the factors, exceptions, and tactics that can help you get the
right price. (c) 2005 Richard Weisgrau [contact] [bio] |