September 10, 2007-- Heavy discounting of premium stock imagery
risks future revenue potential from major digital uses, as budgets
shift from print to online.
Last week, Getty Images announced a new $49 "web use" license for
images from all of its collections, including its highest quality
Rights Managed collections. With this move, Getty has effectively slashed the value of commercial web use licenses by up to 96% off their established rates for Rights Managed photography.
In a coordinated response, leading trade associations representing over
12,000 professional photographers have called upon Getty Images to
remove all Rights Managed imagery (including their Rights Ready brands)
from this new license product.
The Stock Artists Alliance (SAA), the American Society of Media
Photographers (ASMP), the U.K. Association of Photographers (AOP),
Advertising Photographers of America (APA), Editorial Photographers
(EP), and the Canadian Association of Photographers (CAPIC) represent
top advertising and editorial assignment photographers and thousands of
stock photographers- including many Getty contributors.
Their shared concern is that this extreme competitive response by Getty
Images presents huge risks to the image licensing business, and
threatens the livelihoods not only of Getty contributors but of
professional photographers industry-wide.
In a joint letter sent to Getty Images CEO Jonathan Klein today, the
associations have urged the company to reconsider this plan and remove
the Rights Managed collections from the $49 license scheme. "Offering
your very best imagery at heavily discounted prices," they contend,
"may well increase volume, but
it also risks undermining Getty's core licensing business-as well as
the businesses of the independent contributing photographers who create
and own the majority of imagery in your RM collections."
Furthermore, the letter states, "As the market leader, Getty's actions affect the entire industry. We therefore expect that your action of devaluing digital usage risks the long-term earning potential from image licensing, whether it be stock or commissioned."
Anticipated consequences of this dramatic move, they suggest, include:
1. Loss of high-value digital license revenue.
Getty is unnecessarily giving up money from commercial and high-end
advertising customers willing to pay premium prices for the most
exclusive imagery. Now these same customers are rapidly shifting their
large media budgets from print to the web as the internet emerges as
their primary marketing platform. Spending for web advertising by these
customers can easily rival traditional media budgets with many spending
hundreds of thousands of dollars on relatively small media buys. This
$49 deal gives away valuable rights for minimal prices that will not be
replaced by increased volume for this kind of commercial usage.
2. Devaluation of RM licensing.
Flat-rate license fees run counter to the Rights Managed premise that
price and value are commensurate with usage. The $49 deal lumps
together buyers for global online ad campaigns with small mom-and-pop
shops and local web uses. Flat-rate unit pricing is already being
offered in Royalty Free products, and this new product will offer
value-conscious customers access to quality RF imagery. There's no need
to extend it in RM. Offering the very best images at a bargain price
point communicates to customers that all images, even the very best and
most creative, are all worth the same.
3. Erosion of prices across the board.
The devaluation of web usage prices will lead to devaluing print and
outdoor usage that will pave the way to further steep price cuts across
all types of licenses. Once customers can obtain a major use license of
an RM image at this cost, they will likely question the validity of
being charged significantly higher rates for other uses.
4. Reduced return for photographers.
Lower per-image returns for photographers make it more difficult to
produce the highly creative images that form the core of creative RM
stock collections. These images cannot be produced in volume, and
photographers are already feeling the impact of reduced revenues. This
move further strains the viability of independent photographers'
businesses, and will result in less fresh imagery available for
customers.
5. Reduced recovery value for images.
The offering by the world's largest stock image supplier of all their
images across the board at a $49 price point will have a serious impact
on the valuation of claims in the courts for copyright infringement and
lost/damaged originals. It also undermines the proposition that each
image is unique and has to be valued on its own merits. Infringements
of stock images are already at crisis levels-especially for web and
digital uses. We are alarmed that a consequence of the low value
established for web uses will dampen efforts to enforce copyrights and
recover otherwise lost revenues.
Pricing on GettyImages.com for Web Uses
| Collection |
License Use
placement / term |
Current Prices |
New Price (500KB) |
%Change |
| RM |
Commercial Website
one page / 1 year |
$680 - $870 |
$49 |
93% - 95% reduction |
| RM |
Web Banner Ad
unlimited / 1 year |
$1140 - $1460 |
$49 |
96% reduction |
| RR |
Web & Electronic unlimited / 10 years |
$550 - $650 |
$49 |
91% - 92% reduction |
| RF |
Unlimited, Perpetual |
$55 - $145
(1MB) |
$49 |
11% - 66% reduction |
Evolution is Needed
There is no doubt that stock licensing and pricing models must evolve
to address the needs of a diversified marketplace of new media users,
which include major stock image users, as well as new kinds of
customers. An essential part of this evolution must include logical and
consistent licensing and pricing structures that make sense to the
customer, and that preserve the value of high quality professional
imagery.
In closing, the association letter states: "We are eager to work with
Getty Images and other leaders in the industry to find ways to evolve
image licensing that address the changing needs of new media customers,
and which leverage the distinctive value associated with Rights Managed
imagery in a changing marketplace. We have a mutual interest in growing
our image licensing businesses but respectfully contend that we must
explore better ways to do so, which do not risk the value of what we
have created."
SAA president Roy Hsu, an Advertising Art Director specializing in
digital media and stock photographer, explains: "Digital advertising is
currently the fastest growing segment and will become the key source of
high end advertising within the next few years. Internet based
campaigns now can define brand campaigns and make headlines on their
own, which used to be reserved by print and broadcast. Media budgets
for online are now comparable and sometimes higher than those of
traditional print media. This pricing scheme oversimplifies a complex
industry by mixing the high and low end users together, and the
discounting these digital uses is in effect giving up on the high-end
customer."
Coordinated Action by Photographer Associations
This is the latest example of coordinated advocacy initiatives by
leading photographer trade associations who are increasingly working
together to address issues of common concern to their members. They
have also joined together as members of the PLUS, The Picture Licensing
Universal System; and the Imagery Alliance, a diverse coalition of
industry stakeholders formed to respond to proposed "orphan works"
legislation, and to champion the need for industry licensing and
metadata standards, and copyright education.
About SAA
SAA is the only trade association dedicated to the business interests
of professional stock photographers, supporting its global membership
with substantial information resources and ongoing advocacy
initiatives. www.stockartistsalliance.org
About ASMP
The American Society of Media Photographers (ASMP) is the premier trade
association representing the interests of publication photographers for
over 60 years. www.asmp.org
About AOP
The Association of Photographers (AOP) is a UK based professional trade
association with in excess of 1800 members working in the fields of
fashion, advertising, editorial and design. Established in 1968, the
AOP brings professional photographers together, protecting their rights
and promoting photography. www.the-aop.org/
About APA
The Advertising Photographers of America (APA), the leading trade
association representing the interests of advertising photographers,
works to improve the environment for success in the industry and
champions the rights of photographers worldwide. www.apanational.com
About EP
Editorial Photographers (EP) is an organization of 2,000 of the top
magazine and news photographers from around the world dedicated to
improving business practices and contracts. www.editorialphoto.com
About CAPIC
The Canadian Association of Photographers and Illustrators in
Communications (CAPIC) was founded in 1978 to safeguard the rights of
photographers and illustrators and digital artists working in the
Canadian communications industry. www.capic.org
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