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The MIZ - Photoshop WIZ

“Dead On” Sharpening Part I - or - How to stop your image from going to Heaven

ImageWhen I first started using Photoshop I thought I could make an “out of focus” or blurred image look like it was in focus. Photoshop can not do this. I tried so hard I created what I now come to call “halos” in my images.

Photoshop works its magic; by giving the illusion the image is sharper than it really is. Photoshop does this is by looking for edges where dark tones are adjacent to light tones.

The magic is created by taking some of the dark and light pixels, and making them darker and lighter than they were when you started out.
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EZ – NO Muss, NO Fuss, INSTANT Color Cast Remover

ImageThis has to be the easiest “Quick Fix” tutorial I have in my bag of tricks!
Did you forget to set your white balance correctly? Is your image Color Cast?

Look at the image below. Think it looks a wee bit color cast? Too much green maybe? 

Image 

Well lets correct that with an adjustment that was never intended to do what we’re about to use it for. It’s called “Match Color”. Match Color was intended to match the color of one photo with another. We’ll only be working with one photo though, and not matching it with anything.

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New Skies on the horizon – Adding clouds to a sky

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 Some of my photos of landscapes are taken on “cloudless” days. Well I want clouds! Here is how I do it.

This is the photo I want to add clouds to

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Poor Man’s noise reduction

ImageI admit I use noise reduction software in my images. That’s only because I can afford it. If I were on a tight budget, then this is one of many methods I would use.
I will show you one method now. If there is a significant request for more, I will then add additional tutorials.

This is quick and simple.

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A graduated neutral density lens filter

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Shooting a scene with lots of sky often results in a photo with a dark foreground. If you don’t carry a graduated neutral density lens filter in your camera bag here is a solution!

In this image the exposure was set for the sky and so the foreground grass appears too dark and under exposed. A graduated neutral density lens filter would have been the answer to this problem, but I did not have one handy at the time I shot this image 



Image
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Quick tip - The “POP” secret or, the “WOW” factor

ImageImages that "POP"
Ever hear that expression? Do you know what it means?

Question: Do you have any images that "POP" in your gallery?
I like to call it the "WOW!" factor. Because it is a tangible thing you
can actually place in every single image you own!

What are some of the components that make up the WOW factor?
1. Composition, design and framing
2. Subject
3. Color

Let’s make this image:

Image
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Quick Fix – Back from the future “Dust and Scratches”

ImageNo matter how much I clean an object before a shoot, I usually discover afterwards I missed some dust after I start to process the image in Adobe RAW. Fortunately, for me Photoshop has a built in dust rag.

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We’re about to embark upon a technique I have used hundreds of times, and only now am I revealing it for the first time. We’re going to make all those dust specs “History!”
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Quick tip – Isolating fine lines or hair

ImageRecently while reading through one of the forums on a popular Microstock site, I came across a cry for help in isolating an image. Another helpful member of the forum replied with his suggestion, and then commented: “…but I wouldn’t try to isolate something like the hair on a dog”. I thought to myself “why”?

Isolating an image can be accomplished in a dozen different ways. The method you choose depends on the image to be isolated.

Let’s isolate the fine hairs at the bottom of this dandelion

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Quick tip – Underexposed Masked

In my very first article I explained how we can resurrect a underexposed image by making duplicate copies of the original layer and changing the blending mode to screen above the original.

In this image below, the sky looks pretty good, but the foreground is underexposed.

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So I did some photoshop magic, and viola! this is what I came up with.

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Quick tip – “RAW Exposure”

ImageIf your not shooting a million shots in one session you might consider shooting RAW if your not doing so already. RAW offers you the equivalent of film based cameras “negative”. RAW has so many advantages over shooting just JPG, and just one disadvantage. I might modify that statement and replace “disadvantage” with the word “inconvenience”.

So in this article for those who are not familiar with shooting RAW, I’m going to show you how to get the correct exposure for your shot when converting the RAW file to JPG using the Adobe’s RAW dialogue box in PS CS2.

There are many RAW converters on the market, some better than others. I prefer to use Adobe’s, and that’s what I’m using in this article. If you have Adobe, you can follow along with me here.


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Quick tip “Improving saturation Part II”

Image Sometimes the most subtle differences in the way you process an image using photoshop can have some dramatic affects on the final image. Here is another saturation technique that allows you more control, and uses the LAB mode once again.


 

 Image We’re going to take this image of an old 1860’s manure spreader and make a subtle change to the grass and sky to add more depth and contrast.




 

 Image First we need to change from RGB and convert to LAB mode.


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